Scores - 108456 Vote / Countries - Ireland / directed by - Yorgos Lanthimos / tomatometers - 7,2 / 10 Star /
genre - Horror, Drama

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Nicole is so tall omg even sitting she looks taller than every man in the room. The movie is amazing. Far better than The Shape of Water. Peculiar how certain movies become stratosphere big that are only average. Colin and Nicole are commended as always never reluctant to do material even if it's a bust at the box office.

Please do a remote with steven yeun and collin in a korean spa. About The Show Emmy Award-winning comedian and writer, best-selling author, actor and television pioneer Ellen DeGeneres brings her unique brand of hilarity to daytime talk. With a dazzling array of celebrity interviews, an eclectic mix of musical performances and ordinary people with extraordinary stories and talents, "The Ellen DeGeneres Show" creates a fun and unpredictable alternative in daytime television and takes a fresh look at the world according to Ellen. *Visit our schedule page to confirm show times.

Someone sue them for false deer spotted. I want to see Colin seducing Coco in a Turkish bathhouse. Great film. This movie is really bad sorry.
Martin used his spectrum to hack into their bwains.
A Surgeon's guilt leads him to mentor the teen son of a deceased patient. After weeks of diner lunches and awkward afternoon walks along the riverside, Steven (Farrell) our duplicitous leading man finds that Martin (Keoghan) has some seriously sinister plans in-store for him and his young family; a plan that ultimately puts Steven in an impossible excruciating moral dilemma.
This is essentially the plot The Killing of a Sacred Deer, the latest mad experiment concocted by the same warped mind that gave you the similarly themed Dogtooth (2009) and the deadpan black comedy The Lobster (2015. But lest you've seen either of those films, nothing can really prepare you for what this twisted little romp is really about and how this film goes about achieving its own ambitions. Director Yorgos Lanthimos isn't just an idiosyncratic art-house director with a wild hair for film-school suspense. No this guy is a cinematic mad scientist who takes all things familiar and makes them wholly unfamiliar by breaking everything down to the bare essentials.
What do I mean by this? Well for one the story doesn't ever feel the need to explain itself. In an interview famed director Alfred Hitchcock was once asked why the characters in his films never call the police. His answer was, Because it's boring." Lanthimos seems to be taking that same approach not only for the crime elements of the story but the very mechanisms that make the story possible. It is never explained (nor does it need to be) how Martin goes about doing what he does. The only logic that counts exists within Martin's fractured state of mind; and we just have to live with whatever twisted logic happens to be exposed by the frame at the time.
While the story is very much in the vein of Hitchcock, the cinematography just screams Kubrickian other-worldliness. Everything is shot with a streamline economy so that every scene, every character, every plot point is tailor made for maximum ambiguity while never straining the limits of a traditional narrative. Yet despite its perfection in relaying information and theme, every frame and gently sweeping pan serves to overwhelm the viewer with a near constant feeling of unease. How much unease? Well the film literally starts with an un-obscured view of open-heart surgery. Whatever feeling you're liable to have while watching something like that (shock, disgust, anxiety, etc.) is going to be your default for two hours so buckle up.
In comparison to other outstanding horror films released this year, Sacred Deer certainly holds its own - even if the spirit of its horror is less Get Out (2017) or Jigsaw (2017) and more Werner Herzog oppressively reading Grimm Fairy tales. Yet in comparison to Lanthimo's other works, Sacred Deer feels like it doesn't have that same immutable fearlessness. That may have less to do with the film itself and more to do with the genre. The Lobster may have dabbled in some horror tropes but it was first and foremost a black satire on romantic love. Our expectations were naturally pretty limited in regards to "how far" they're willing to go with the premise. Thus when it really did "go that far" the wickedness of the satire felt all that more dangerous. Any satire of familial love on the part of Sacred Deer is played less with a sense of wickedness and more with a sense of dread. It still feels dangerous, but only to the extent the extent of bodily harm.
Thankfully the cast are perfectly suited for finding the flawed, ugly and human parts to their off-putting characters. Farrell is at his subdued, disquieted best as a complacent everyman suddenly put into a lose-lose scenario. Nicole Kidman, Sunny Suljic and especially the brooding Raffey Cassidy have between them all the cunning instincts needed to make their characters sympathetic while harboring the animosities needed to make the situation believable.
The real standout however is Barry Keoghan who takes what would have otherwise been a one-note Machiavelli and elevates him to the level of an uncaring God. His malevolence is scary not only because of his forceful actions and their inherent power imbalance but because there's nonchalance in everything he does. There's a void where his empathy and moral compass should be. So to compensate, he adapts a sense of justice where extreme measures are regular and they're seemingly the most human thing about him.
Keoghan's abrasive performance alone is definitely worth the admission price for horror fans, film fans and those already familiar with Lanthimos's unique approach to storytelling. Combined with the film's fable-like clarity of thought and this thing suddenly becomes a worthy piece of art crying to be studied and argued about for years. But for casual audiences, Sacred Deer may prove too outwardly bizarre and too much of a dialectic gut-punch to walk away satisfied. Which is a shame because I think Lanthimos is actually aiming for the unwitting who settled for whatever just started at the cinemas because Ragnarok sold out.

I don't care what they do, but there needs to be a Conan/Colin Farrell remote. It would be goddamn amazing. K Im gonna give this a brief go and explain my interpretation. Martin is god. Now however you define god is irrelevant as in the universe of the film martin represents a force that is all present and in total control of every aspect. The film touches greatly on agency and free will/determinism but does not give answers. In a world with an all powerful being that can seemingly will things to happen, why would this circumstance arise in the first place? Why the challenge and need for revenge? This is the existential tragedy of the film and of actual reality. Whether god exists or not, your agency and choice are seemingly so significant but logically they appear no more then an evolutionary illusion to give purpose where there is none. Theres a lot of imagery of hands that imply actions the characters take and how these actions are essentially and abstraction of their character. Again, agency. Martin asks of Steven one thing; to make a choice. Steven takes a few opportunities in the film to deny Martin and as does Kim by eating her fries first which is exactly how Martin would not. Gestures against Martin are the best these people can do. Anyways, so Martin demand Steven make a choice to kill a child and seemingly Steven removes agency by adding what could appear to be random chance-putting a bag on his head and spinning in circles shooting a gun with his family tied around him. Really, is that removing agency though? And who does Steven obviously favour less then anyone else in the family? Thats right. Little bob. The tragedy in this is Steven now has the guilt of knowing he killed the child he would have killed anyways had he not wore that hat over his eyes. Extra fact, Robert(long form of bob) means illuminated and chosen. It was always going to be bob. Martin knew it. He was forcing Stevens hand. So, is this agency? Do you choose anything you do in your life? Is your guilt really yours or does the universe just pull you around. I could really go on but Whatever. Thats what I got from the film.

Hadnsome men.

HA HA! I loved that ending. I'll have a little surgery first

Double toasted brought me here. Cheerleader pom poms in some twisted grim fairytale. I love him. Never heard of this one. Don't clap Colin, that girl's pitch is terrible.
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The movie is great. Watch it. Hahaha YOU GOTTA CHECK MY GEAR. The collection is constantly updated with new films, so visit us often. Colin WTF xD.
This movie made me feel great.
So. what is this movie about.
OnlyFans.
Nice review, but I would say that the religious part has nothing to do with christianity/Jesus, as it is all about pre-christian greek religions, where there was no place for forgiveness.
Almost 1stcomment.
His father was a patient of mine.
Alicia Silverstone, is that you.
I don't get this scene.
Personally I can never get behind what Martin did I can understand wanting something anything for the equalization of the subsequent murder of his father but to poison a family for the wrong doings of 1 person is something I can never say is right. The death of Steven at the end just solidifies to me that he's an egotistical sociopath who deserves to be locked up and or killed for such a thing. Because the sum of his father's life to Steven's is not an equivalent exchange of justice to me.

Love Island - Season 6 Single hopefuls looking for love complete tasks, couple off and get voted out week by week. Packed full of drama. Episode: 46 eps Duration: 60 min Quality: HD 720
Release: 2020
IMDb: 5. 1.
Was this a comedy? Instead of Colin Farrell they should have cast Ron Jeremy for the lead role.