So, you got the job - the Director likes you, and the producer can tolerate you. Good! Now what? You must select a camera. If you own the right one, then the answer is indubitable. And maybe that is why the producers can tolerate you. But if not…, how do you go about selecting a camera? Below are a few tips that can help you to select the better camera suited for the job

1. THE GLASS

The most vital thing to me when selecting a camera is what lenses I want to use. And coincidently, they will probably price more than whatever camera I rent. Lenses will have more of an influence on the look of your image than your camera. So, maybe you need to use Hawk uncoated anamorphic lenses, which have PL mounts. So, you’ll necessity a camera with a PL mount. Select a camera anamorphic lens set. You may want to shoot your movie entirely with a pair of zoom lenses, or “variable primes” as the best- attribute ones like to be known. If you do, and you love to use a zoom motor, or a studio follow focus you will necessity PL mount lenses. You can also look for Sony Venice rental Los Angeles and you can search a number of choices.

2. WORKFLOW

The number two cause for selecting a camera is for its workflow, perhaps because of your necessity to do so much post-work on the film I shoot. It might be that you select a camera that has only a RAW workflow. A nightmare you would not want the production to be stuck with, let alone the editor. So, be careful of your workflow.

3. RESOLUTION

Netflix now needs 4K or good picture acquisition for fresh projects that they purchase, and you would not want to want to exclude them as an organization that might purchase your project. In any case, a 4K master is a delivery requisition for most distribution organizations now. You do not want an HD or even 2K acquisition to be “blown up” to 4K. Selecting a camera resolution People will tell you that 2K is still the de facto standard for theatrical distribution…

4. SPEED

The native Exposure Index of a camera is very vital for shooting a feature movie, especially if you are shooting a night movie in very low lighting. Perhaps you were not able to afford those costly super-speed lenses?

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