Abstract: Valley Girl is a movie starring Alicia Silverstone, Chloe Bennet, and Mae Whitman. Set to a new wave '80s soundtrack, a pair of young lovers from different backgrounds defy their parents and friends to stay together. A musical
Judy Greer
2020
USA

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Details about the Kristin Cavallari-Jay Cutler divorce are trickling out, at least according to one report Thursday.
A story on alleges that Cavallari increasingly found Cutler to be “lazy” and “unmotivated, ” as her Uncommon James business and “Very Cavallari” reality show took off.
According to the story, Cutler preferred just hanging out on the family farm with their three children. ESPN and CBS have reportedly been courting the former Chicago Bears quarterback for a post as an NFL on-air analyst.
In Instagram posts last weekend, Cutler and Cavallari (whose other TV credits include “The Hills”) revealed the news of the divorce:
‘‘With great sadness, after 10 years together we have come to a loving conclusion to get a divorce, ’’ they wrote in separate posts on their personal accounts. ‘‘We have nothing but love and respect for one another and are deeply grateful for the years shared, memories made, and the children we are so proud of. This is just the situation of two people growing apart. We ask everyone to respect our privacy as we navigate this difficult time within our family. ’’
According to the official divorce filings, Cavallari cites “irreconcilable differences” and notes Cutler “is guilty of such inappropriate marital conduct as renders further cohabitation unsafe and improper. ”.

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Another re-make, already forgotten.
Artist: Statler Brothers
Song: Eve
The Story: Don't eat the fruit in the garden, Eden,, It wasn't in God's natural plan., You were only a rib,, And look at what you did,, To Adam, the father of Man.
Continue Reading...
Artist: Queens of the Stone Age
Song: You Can't Quit Me Baby
The Story: You smell like goat, I'll see you in hell
Artist: Starship
Song: Sarah
The Story: All the b***h had said, all been washed in black
Artist: Iron Maiden
Song: The Prisoner
The Story: And my blunt is my ho now
Artist: Pearl Jam
Song: Jeremy
The Story: At home, drawing pictures, Of mounds of tots, With ham on top
Continue Reading...

If you like Death Valley Girls, you may also like: Imitate, Intimidate by Kaz Mirblouk Extra-riffy guitar rock gets dosed on this psych-tinged release, straight out of Southern California’s still-kicking garage scene. Bandcamp New & Notable Sep 30, 2016 go to album
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L. A. ’s SadGirl carve big, soul-inspired grooves across the length of their latest LP, “Water. ” Bandcamp New & Notable Jun 10, 2019
Definitely Band by Curling
Indie rock with sunny psych-pop harmonies and guitar work that alternately chimes and crashes. Bandcamp New & Notable Aug 22, 2018
Animal Races by Cool Ghouls
Straightforward rock, recorded to tape in a backyard studio for an old-school, psychedelic sound. Bandcamp New & Notable Aug 16, 2016
Shake, Wrestle 'N' Roll by Exotic Adrian Street and the Pile Drivers
An ’80s rarity only Burger Records could unearth, Exotic Adrian Street helms a dozen synth-heavy, wrestling-themed glam-pop songs. Bandcamp New & Notable Sep 21, 2019
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Jody Stephens of Big Star and Luther Russell of the Freewheelers team for a radiant LP packed full of slide guitar and pop smarts. Bandcamp New & Notable Sep 11, 2019
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The twin garage duo's latest is as cheeky and raucous as ever. Bandcamp New & Notable Mar 15, 2017
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I really wish D&D would allow Daenerys smile more in GoT. I love her smile and laughter SO much.

“im gonna kill everyone”... ”spoiler alert”. she wasnt joking :upside_down.

Where is the rest of this interview lol too short

HOST: Kristin Wiig
MUSICAL GUEST: Boyz II Men
EPISODE: Saturday Night Live Season 45, Episode 18
DATE: May 9, 2020
BIG PICTURE: The third and final “SNL At Home” of the season was also the season finale, and what would have been the traditional Mother’s Day episode. Overall, the episode was the least funny of the three “At Home” shows, and proof that once the novelty wears off, the format is subject to the same pressures as a traditional episode. A few sketches were funny, several were touching, and many simply missed the mark.
The show also featured special guests, though their impact was diminished compared to the last two episodes. Kristen Wiig served as the host, and Boyz II Men the musical guest. Alec Baldwin showed up in the cold open as the president in an appearance that reinforced how this impression has really run its course. Josh Gad showed up as the voice of Olaf from Frozen, Tina Fey spoke to Michael Che about quarantine and motherhood on Weekend Update, and Martin Short was misused in a sketch about a couple who do all the wrong things in quarantine, in perhaps his least entertaining SNL appearance ever.
MONOLOGUE/HOST: Wiig “hosted, ” opening the show with a jazzy dance number enhanced with animation. She did a monologue from her home that found her lounging on a cozy rug, talking about how this would normally be the Mother’s Day episode. She gave it her all, but I found the impact restrained by the format. Her talk about Mother’s Day wasn’t particularly funny, but it tugged a few heart strings. Wiig returned later for an uninspired sketch playing a hair blogger in which her performance outshined the material.
NOTABLE SKETCHES/PERFORMANCES: The cast and various children put on a musical number making the argument that to ease the stress on parents during quarantine, we should “Let Kids Drink. ” Among the funnier lines, “they’ll be happier and funnier, and they’ll fall asleep by 6. ” Also, “Babies look drunk anyway, and burp and puke just like I would. ” This was fun, though I could see some being upset by the many shots of kids swilling booze or passed out surrounded by liquor bottles. By the end, we’re serenaded by a kids chorus, and Josh Gad, as Olaf, sings, “Disney said it’s fine, ” before quickly realizing that might not be true.
Masterclass Quarantine Edition is SNL ‘s gift that keeps on giving during the “At Home” episodes, mostly thanks to Chloe Fineman. Here, she gives us an excellent Phoebe Waller-Bridge teaching journaling – she keeps two journals, and the one with her naughty secrets is too sticky to open. She also plays a batty Britney Spears, while Melissa Villasenor captures John Mulaney teaching “suits. ” “This suit is ideal if the vibe you’re going for is ‘precocious kid who’s asking all the wrong questions at this funeral. '”
Kenan Thompson delighted as a patient preacher on a Zoom service trying desperately to get his congregation to mute their computers, and as host of “What’s Wrong with this Picture, ” a game show where the three Mother’s Day contestants took the most warped possible approaches to the simple, innocent pictures they were shown. Of a cartoon of a woman looking at a mirror, Aidy Bryant said, “The glory hole is too high, now she knows it’s the neighbor. ”
In Eleanor’s House, Bryant hosted a Pee Wee Herman-ish live/animation hybrid where she threw a party in her imagination that got out of hand, turning into a dirtbag bash that found a sleazy version of Kyle Mooney getting tasered in a hot tub.
Mikey Day’s son Brandon, basically a featured player at this point, starred in a sketch that found him pulling mean, abusive pranks on his dad, including lining his toilet seat with thumb tacks and changing every contact in his phone to Gigi Hadid. A fun showcase for the father/son team.
Kate McKinnon played a lighthouse keeper who gave tips for living in isolation, including making your groceries last by having them all be beans, and staying on top of the news by listening through a shell.
WEEKEND UPDATE: Michael Che is completely out of fucks to give. While Colin Jost stuck to traditional jokes, Che spent part of the segment drink in hand, expressing what felt like real fears about making it through the summer, including talking about the Georgia murder of Ahmaud Arbery while jogging. “I live in a very, very, very white neighborhood, and I spend so much of my time trying not to look suspicious to white neighbors. It’s exhausting, ” he said. “But even I can’t think of something less suspicious in a white neighborhood than jogging. Except maybe tinkering on a Trans Am listening to Whitesnake, or walking a toddler on a leash. What else can we do? ”
Che also spoke with Fey, who had a “message for mothers. ” Fey is spending more time with her passwords during quarantine, and for some reason is teaching her kids Latin. Fey says the quarantine is teaching her a lot in return. “Did you know that if you’re baking cookies and you don’t have any flour, you can just go to bed? ” she said. “You can all just shut your mouths and go to bed. ”
Cecily Strong appeared as Jeanine Pirro, who had to do her own makeup “while looking into a spoon, ” drank boxed wine out of a box bigger than her head, and somehow wound up in the woods dressed in camouflage and drinking a “Pina Cloroxa, ” which is a Pina Coloda with bleach.
THE 10 TO 1 SLOT: SNL reached for the heartstrings in the final sketch of the season as the cast members were shown sleeping, dreaming of crowded New York moments in the city of old. We saw Strong and Mooney in Times Square, Bryant in Central Park surrounded by puppies, Pete Davidson in Yankee Stadium. A few of those were humorously skewed – Thompson found himself in a scene from Tootsie, and Ego Nwodim squirming on a park bench next to a young Woody Allen – but the power of a bustling city was the image that resonated.
Happy summer, everyone.
Larry Getlen is the author of the book Conversations with Carlin. Follow him on Twitter at @larrygetlen.
Watch the SNL Season 45 Finale on YouTube.

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Files in VOB format have a filename extension and are typically stored in the VIDEO_TS directory at the root of a DVD. Movie Stream Valley girl les. Movie stream valley girl 2. A t a relatively brief 99 minutes, Zombieland: Double Tap doesn’t provide one with anywhere near enough time to figure out exactly why Zombieland: Double Tap exists. The closest I could manage was sheer greed, but even that explanation would require a strongly held belief that a substantial fanbase cared about or even remembered the original. It was a decently reviewed sleeper success which provided a much-hankered-for eyeroll at the influx of zombie films flooding cinemas at the time – but it was that and little else. A smile of a movie that turned into more of a shrug over time.
A decade wait later, the result of a tortuous development process, here it is, lumbering into cinemas thirsty for coins, missing the boat and all other available transport. It’s not entirely without merit, but it is utterly devoid of necessity, a release date filler that, despite the long gestation period, feels like a worthless quickie, 10 years’ worth of foreplay resulting in an underwhelming splurge. Since the first film, those involved have graduated to better things. Woody Harrelson scored two more Oscar nominations; Emma Stone won an Oscar and was nominated for another; Jesse Eisenberg secured himself a career as a playwright; screenwriters Rhett Reese and Paul Wernick moved on to the Deadpool franchise; and director Ruben Fleischer landed Venom, the biggest hit of his career to date. Which makes the whole thing even more of a head-scratcher.
Crafted with the sort of fan service one might expect from a sequel to a much-loved fan favourite, Zombieland: Double Tap doubles down on what the original provided for those apparently eagerly waiting for more. We’re reunited with the ragtag team from the first film as they come across an extravagant new home: the White House. For a while, there’s a fragile sense of contentment – for the men at least – but their attempts to force their female companions into traditional gender roles (the makeshift daughter and the loyal wife) force the women to flee the nest.
What follows – what vaguely, if one squints, passes for a plot – includes a hippie commune, a pilgrimage to Graceland, a candle shop meet-cute and a lacklustre Luke Wilson cameo. Zombie groan.
As dated as its slow-mo zombie-killing opening credits, at times Zombieland: Double Tap feels like it was made directly after the original yet carelessly forgotten about. It’s rushed and dusty, a film more belonging on Crackle than the big screen, more expensively budgeted than the first yet mostly creatively bankrupt. The film’s major addition is a dumb, one-note Valley Girl stereotype, played buoyantly by a game Zoey Deutch, who resembles a character from an early 00s sitcom, with every poorly written punchline landing the same – she’s an airhead, end of joke. The script’s potshots at hippies feel equally rusty: they love weed and hate guns. Cool.
The returning actors replay the same beats with about as much effort and investment as one might expect, with Stone looking particularly bored, while Fleischer’s stylistic flourishes feel mostly regurgitated. The script’s interesting initial exploration of women eschewing traditional gender roles is soon replaced with a predictable string of women throwing themselves at undeserving men. It’s watchable in an undemanding way, thanks to a snappy pace, but there’s an ingenuity missing, a purpose, a spark that made the first film so much fun. A lot has changed since the first one came out, to the actors, to the genre, to the world, but Zombieland: Double Tap is hopelessly stuck in the past. It’s a corpse of a franchise that shows no sign of coming back to life.
Zombieland: Double Tap is released in the UK and US on 18 October.

After hearingabout her health struggles, i'm more in love with this woman. Especially that she'd kept it quiet for all these years. What a legend.

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