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THE FLOWER KINGS.
Symphonic Prog • Sweden.
From Progarchives.com, the ultimate progressive rock music website.
The Flower Kings biography Founded in Uppsala, Sweden in 1994 - Hiatus between 2008-2012.
It's hard to make a biography about THE FLOWER KINGS, being that there's so much to say about them, so any attempt of telling their history may seem insufficient. This essential Swedish group was born around 1993 as a power trio formed by Roine STOLT (Ex-KAIPA) in guitar and vocals, Jaime SALAZAR (Drums) and Hasse BRUNIUSSON (percussion), and ex-SAMLA MAMMAS MANNA, this lineup worked with Stolt in his solo album "The Flower King" with the participation of Hans Frцberg (Lead and Backing vocals) who would stay with them.
Soon they decided to form a band using the name of the solo album so THE FLOWER KINGS was born, the keyboardist Tomas BODIN and Roine's brother Michael in the bass joined and the band was officially born.
For 1995 they have their first release ready "Back in the World of Adventures" which impressed the critics very much for their closeness to the style of early bands such as Moody Blues, genesis, Jethro Tull etc, borrowing ideas but not music, so you can easily find their inspiration but a single chord copied, I personally liked the album but found it closer to Neo Prog than to Symphonic but this is only a stylistic precision that has no relation with the quality of the album.
The next few years are prolific with few changes and they release "Retropolis" in 1996. Stardust we Are" in 1997 and "Flower Power" in 1998 with no great changes. In 1999 Michael Stolt leaves the band and is replaced by Jonas Reingold so the new formation for "Space Revolver" in the year 2000 also includes Ulf Wallander playing the Sax as a guest that remains for a long period with them.
After "The Rainmaker" in 2001 Jaime Salazar leaves the band and the drums are taken by Zoltan Csцrsz who stays in the band until the release of "Paradox Hotel" (2005) when is replaced by Marcus Liliequist. As most Swedish bands the quality of their music and the musicianship of their members is impeccable but don't expect the complexity of their most illustrious compatriots like Anglagard or the dark and almost religious atmosphere of Par Lindh Project (With whom Roine worked in Gothic Impressions), being that the music of THE FLOWER KINGS is a bit lighter but not inferior by any means.
Ivбn Melgar Morey - Perъ.
See also. Founded in Uppsala, Sweden in 1994 - Hiatus between 2008-2012.
It's hard to make a biography about THE FLOWER KINGS, being that there's so much to say about them, so any attempt of telling their history may seem insufficient. This essential Swedish group was born around 1993 as a power trio formed by Roine STOLT (Ex-KAIPA) in guitar and vocals, Jaime SALAZAR (Drums) and Hasse BRUNIUSSON (percussion), and ex-SAMLA MAMMAS MANNA, this lineup worked with Stolt in his solo album "The Flower King" with the participation of Hans Frцberg (Lead and Backing vocals) who would stay with them.
Soon they decided to form a band using the name of the solo album so THE FLOWER KINGS was born, the keyboardist Tomas BODIN and Roine's brother Michael in the bass joined and the band was officially born.
For 1995 they have their first release ready "Back in the World of Adventures" which impressed the critics very much for their closeness to the style of early bands such as Moody Blues, genesis, Jethro Tull etc, borrowing ideas but not music, so you can easily find their inspiration but a single chord copied, I personally liked the album but found it closer to Neo Prog than to Symphonic but this is only a stylistic precision that has no relation with the quality of the album.
The next few years are prolific with few changes and they release "Retropolis" in 1996. Stardust we Are" in 1997 and "Flower Power" in 1998 with no great changes. In 1999 Michael Stolt leaves the band and is replaced by Jonas Reingold so the new formation for "Space Revolver" in the year 2000 also includes Ulf Wallander playing the Sax as a guest that remains for a long period with them.
After "The Rainmaker" in 2001 Jaime Salazar leaves the band and the drums are taken by Zoltan Csцrsz who stays in the band until the release of "Paradox Hotel" (2005) when is replaced by Marcus Liliequist. As most Swedish bands the quality of their music and the musicianship of their members is impeccable but don't expect the complexity of their most illustrious compatriots like Anglagard or the dark and almost religious atmosphere of Par Lindh Project (With whom Roine worked in Gothic Impressions), being that the music of THE FLOWER KINGS is a bit lighter but not inferior by any means.
Ivбn Melgar Morey - Perъ.
THE FLOWER KINGS forum topics / tours, shows & news.
THE FLOWER KINGS Videos (YouTube and more)
Buy THE FLOWER KINGS Music.
Stardust We Are Vivid 2015 $48.86 $18.99 (used) Sum of No Evil Insideout Music 2009 $9.42 $7.98 (used)
THE FLOWER KINGS discography.
THE FLOWER KINGS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)
THE FLOWER KINGS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)
THE FLOWER KINGS V >
THE FLOWER KINGS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)
THE FLOWER KINGS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)
THE FLOWER KINGS Reviews.
Review by friso Prog Reviewer.
The Flower Kings showcase an unmistakable love for Genesis, Kansas, Gentle Giant, King Crimson and above all Yes. Whereas of these bands I hold little love for Yes (exceptions is the Yes Album) and Kansas, the different passages can have quite different impacts on me (as usually an idea is clearly rooted in one of these progband's traditions). The band switches between 'schools' within songs, sometimes 'citing' one band after another. Though this can be fun, it is distracting from the familiarization process, which was already under threat due to the album its immense length. Also the band looses itself often in just showing of its musical capabilities.
The album has a distinct sound. Clear as can be, detailed, but also quite bare and a bit airy and un-ankered. Some of that is also in the playing of The Flower Kings. I myself own the 3lp version which sounds good, but only at higher volumes due to the lack of (even some) modern mixing and compression. The tracklist on the 3lp is significantly different than on the 2cd. I can't help but thinking the band is using the six different twenty minute sides to help with 'sorting out' this almost 140 minute album of very diverse material.
The first LP opens with the 30 minute epic 'The Truth Will Set You Free'. This epic is very well described by my opening paragraph. It has some amazing moments of symphonic bliss and technical interplay, but other passages leave me quite cold. Moreover, I guess the core ideas behind this track could have come to fruition in twenty minutes as well. 'Monkey Business' is an awful Kansas inspired track. Flimsy, all over the place and tacky. 'Black and White' is significantly better and has some strong solo sections. The short imaginative ballad 'The Navigator' is a highlight for me, it has a simple yet gorgeous atmosphere.
Side three opens with 'Silent Inferno', which has one of most solid opening sections this album has to offer. The verses are a bit light-hearted, but the imaginative solo sections make up for it. Somehow the Kansas influences (keyboard use) are quite nice on this one. Some clear cut references to Voyage of the Acolyte and singing that reminds me a bit of UK-era John Wetton. The Al Di Miola / Return to Forever section is well performed, but totally out of place here. 'Vox Humana' is nice melodic balled with an original sound pallet, a bit like 'The Navigator'. 'Grand Old World' is a world jazz infused slow ballad.
The first three sides together form (in my experience) the first album. Because of its diversity, its many high-lights (and some lows as well) I would rate it a 3,5 star album. The fourth side then sounds like a collection of 'spare' songs, in my humble opinion. Though all of these tracks have some stronger passages, they add nothing to this body of work. Moreover, there are so many moments here that are either boring or plain annoying. I would recommend skipping this vinyl side all together, because the final LP (3) is the real hidden treasure here! The fusion piece 'The Devil's Danceschool' is quite nice though.
The third LP I would 'interpret' as the second album, in a quite different flavor. More based on King Crimson influence majestic prog and jazz- rock. The structure of its first side is based (and an extension) of King Crimson's 'Moonchild'; opening with a magical atmospheric balled and then evolving in a free imaginative improvisation on 'Solitary Shell'. The concept here really lifts of with 'Chistianopel', which reminds me of the better moments of Pat Matheny's 'The Way Up' album. Brilliant atmospheric, virtuoso fusion well suited for the progressive rock audience. It also evolves beautiful out of the free improvisation of the track before it. I wonder why the band didn't create an 'epic' out of these cuts that works so well together. Without a doubt this is the artistic high-point of this record. The second side of this 'album' is filled with 'Devil's Playground'. To me this sounds as the more artistic, more balanced and catchier brother of the opening track 'The Truth Will Set You Free'. On its own, I might have given this third LP a 4,5 stars as an album.
After months of returning to this body of work I find myself in the position of being a highly critical admirer of The Flower Kings. Surely there's enough material here to make for a four star album. By learning to know how to listen to it you can make this a very enjoyable purchase. Especially the third LP is quite an amazing ride and a brilliant reenactment of seventies prog. But boy, somebody should slap these guys faces for making it soo damn hard to enjoy their amazing music.

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